InterFACES
Brisbane, Australia
2000
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Full Papers
- Roger Alsop
Teaching Electro-Acoustic (EA) Composition to the Uninitiated† 1 - Andrew Brown
Modes of Compositional Engagement - Warren Burt –
BRISBANE NOCTURNE – An algorithmic composition using SoftStep - Steven Dillon
Making Computer Music Meaningful In Schools - Simon Dixon
On the Computer Recognition of Solo Piano Music - Alan Dorin
Boolean Networks for the Generation of Rhythmic Structure - Ian Kaminskyj
Multi-feature Musical Instrument Sound Classifier - Theodore Lotis
The Byzantine Dome: The Sound Dome and Wassily Kandinsky - Greg Schiemer
Boolean logic as a harmonic filter - Andrew Sorensen and Andrew Brown
Introducing jMusic - Ian Stevenson
Diffusion: Realisation, Analysis and Evaluation - Michael Towsey, Andrew Brown, Susan Wright, and Joachim Diederich
Towards Melodic Extension Using Genetic Algorithms - Ian Whalley
Tales, tellers, and taking part: The computer music/audience dialectic
Abstracts
- Andy Arthurs
Brisbane Powerhouse Opening - Densil Cabrera
Environmental Infrasound Recordings - David Hirst
LaTrobe CD Archive - Peter McIlwain
An Approach to Spatiotemporial Music - Alastair Riddell
Programmable Composition - Kenny Sabir
Distributed Audio Sequencer - Gavin Sade
Interactive interface design: Tools and processes to enable the development of alternate input devices - Greg Schiemer
A Survey to the Theory and Practice of Just Intonation - Andrew Troedson
An Examination of Selected Algorithmic Compositional Processes - Richard Vella
Musical Environments - David Worrall
Composition as revelation
Workshop
- Ian Stevenson
AudioBox & ABControl: A platform for diffusion design and realisation