WAVEFORM
July 12–14, 2001
School of Contemporary Arts
University of Western Sydney
Sydney, Australia
Download full proceedings [ZIP]
Papers
- Ros Bandt and Garth Paine
Designing public acoustic space: Australian sound designs, a database and website, for a more considered acoustic environment - Andrew Brown
How the computer assists composers: a survey of contemporary practice (fully refereed) - Densil Cabrera
Acoustical, Psychoacoustical and Subjective Assessment of Alvin Lucier’s I am Sitting in a Room (REF) - Paul Doornbusch
The music of CSIRAC - Angelo Fraietta
Smart budgeting for a Smart Controller - Martin Fumarola
A survey of recent electro-acoustic music from Latin America - Nicholas Gebhardt
Studio Time = Money - Nigel Helyer
Singing Me Softly… - Caleb ~K
Yasunao Tone’s stuttering CDs and extreme digital audio - Peter Mcilwain
Spatialised sound: the listener’s perspective (fully refereed) - Garth Paine
Interactive sound works in public exhibition spaces: an artist’s perspective - Donald Richards
Found sound - Greg Schiemer
Transposed Hexanies: Just intonation synthesis studies - Mitchell Whitelaw
Inframedia Audio - Rene Wooller, Nick Coleman and Andrew R. Brown
LEMu: Live Electronic Music Generator
Artist Talks
- Rodney Berry et al
Art Imitates Life’s Imitation of Art - Chris Cree Brown
A Composer In Antarctica - Russell Goodwin
Standing wave sound sculpture: A compositional example - Terumi Narushima
Tritriadic Chimes: Bells in just intonation - Netochka Nezvanova
art!kl nummer 0+28 - Ian Stevenson
Cathedral Impulse: Towards a sonic art - Jeremy Yuille and Troy Innocent
The Trans Mutational Meta-Processor
Studio reports
- Andrew Brown
Queensland University of Technology - John Elmsly
University of Auckland - Julian Knowles
University of Western Sydney - Peter Mcilwain
Monash University and the Working With Sound project