Form Space Time
6–8 July 2002
RMIT University and Victorian College of the Arts
Melbourne, Australia
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Fully-refereed papers
- Steve Adam
Control and Mapping Strategies for HybriD - Ros Bandt
Spatial Counterpoint as a Design Principle in the Australia Gallery, The Melbourne Museum - Jim Barbour
Applying Aural Research: the Aesthetics of 5.1 Surround - Andrew Brown
Opportunities for Evolutionary Music Composition - Paul Doornbusch
The Application of Mapping in Composition and Design - David Hirst
Developing Analysis Criteria Based on Denis Smalley’s Timbre Theories - Ian Kaminskyj
Multi-feature Musical Instrument Sound Classifier with user determined generalisation performance - Ian Kaminskyj & Mark Williams
Web Based Automatic classification of Musical Instrument Sound - Andrew Lyons
Abstractly Related and Spatially Simultaneous Auditory-Visual Objects - Peter McIlwain
A Survey of Software Designs from the Sonic Art Group - Johnathan Mustard
Correlating Movement in Space to the Parameters of Sound - Timothy Opie
Granular Synthesis: Experiments in Live Performance - Ian Stevenson
Spatialisation, Method and Madness: Learning from Commercial Systems - Lindsay R. Vickery
The RoboSax Project (1991-2001): forms of performer/machine interaction in works by Johnathan Mustard and Lindsay Vickery
Non-refereed papers
- Ros Bandt & Ian Mott
Report on the Australian Sound Design Project - Warren Burt
Developing and Composing with Scales based on Recurrent Sequences - Hannah Clemen
Enhancing the Experience of Music-Ritual through Gesturally Controlled Interactive Technology - Robert Coburn
Composing Space: The Integration of Music, Time, and Space in Multi-Dimensional Sound Installations - Angelo Fraietta
Smart Controller – Artist Talk - Elsa Justel
Space as a Structural Function in electroacoustic Music - Lissa Meridan
Elastic Horizon: Mapping Collaborations - Robert G. Morgan
Metamorphosis as a Musical Algorithm - Andrei Bajurnow & Alexandra L. Uitdenbogerd
Towards Audio-Based Music Information Retrieval in the RMIT University MIRT Project - Lindsay R. Vickery
The Yamaha MIBURI MIDI jump suite as a controller for STEIM’s Interactive Video software Imag/ine - Ian Whalley
The University of Waikato: Studio Report 1998-2001