MEDI(T)ATIONS:
computers/music/intermedia
11-14 July 2006
Elder Conservatorium of Music
University of Adelaide, Australia
Download full proceedings [ZIP]
Keynotes
- klipp av (Nick Collins and Fredrik Olofsson)
Audiovisual Collaboration and the Future - Mitchell Whitelaw
Synaesthesia and Cross-Modality in Contemporary Audiovisuals
Papers (in alphabetical order)
- Roger Alsop and Paul Fletcher
Weaving Relationships between Sound and Image in Improvised Performance - Lydia Ayers and Andrew Horner
Synthesizing the Chinese Suona - James L. Barbour
Creating Acoustic Space - Leah Barclay
A Critical Analysis Model for Electroacoustic Music for ACMC 2006 - Darren Curtis
Ancient Geo-physical Computers, Advanced Acoustic Patterns and Biofeedback - Alan Dorin
The Sonic Artificial Ecosystem - Anna Gerber and Andrew R. Brown
Visualising Music with Impromptu - Toby Gifford and Andrew R. Brown
The Ambidrum: Ambiguous Generative Rhythms - Christian Haines: Computers, Music and Intermedia: (Re)(Trans)lation
- Greg Hainge: Listening to Mediation
Digital Noise in a Post-High-Fidelity Age - Mark Havryliv, Greg Schiemer and Fazel Naghdy
Haptic Carillon: Sensing and Control in Musical Instruments - Mark Havryliv
Playing with Audio: Towards a Genuine Relationship between Game Play and Music - Donna Hewitt
The Mill on the Floss: A Case Study in the Use of Voice and Electronics in the Theatre - David Hirst
An Analysis of Denis Smalley’s Wind Chimes: Some Preliminary Results - Ian Kaminsky
Isolated Monophonic Musical Instrument Sound Classification WWW Site - Christopher Keyes
An Introduction to ArtsSync: A New Tool for Mapping Foreground, Middle-ground and Background Musical Structures to Visual Images - Peter McIlwain, Jon McCormack, Alan Dorin, Aidan Lane
Composing With Nodal Networks - Timothy Opie
Fundamental Frequency as an Attribute of Eco-Structuralism - Kevin Purcell
Toward a Dramaturgy for Theatre Sound-Scoring Design - Alistair Riddell
Sound Performance within an Augmented Reality Theatre Context - Greg Schiemer, Mark Havryliv
The Microtonal Legacy of the Pocket Gamelan - Tim Swalling
The Perpetual Commotion Machine: An Exploration of Background Music, Genetic Algorithms and Physical Proportion - Alex Thorogood
Algorithm Gadget: An Improvisatory Rhythm Generator - Sebastian Tomczak
DIY Physical to Computer Interactivity: Background, Issues and Solutions - Mark Webber
Imitation of the Human Drummer and Beyond: An Advanced Rhythm Generator - Stephen Whittington
Ideas for a Poetics of Intermedia - Sonia Wilkie
The Generation and Modelling of Resultant Tones - Rene Wooller
Review of Compositional Morphing: Works, Techniques, Applications and Possibilities
Posters (in alphabetical order)
- Vinny Bhagat
Smart Controller - John Coulter and Colin Webber
Building Lightbridges: The Australian Electroacoustic Music Experts Network (AEMEN) - Darren Curtis
MiniCV Controller - Anna Gerber and Andrew R. Brown
Visualising Music with Impromptu - Sebastian Tomczak
Water Surface As Music Controller (for $8)
Studio Reports (in alphabetical order)
- Roger Alsop
School of Production Victorian College of the Arts - John Elmsly
Composition Studios School of Music University of Auckland - Christian Haines, Stephen Whittington
EMU, Electronic Music Unit University of Adelaide - Anthony Hood, Donna Hewitt
Sydney Conservatorium of Music, University of Sydney
Artist Talks (in alphabetical order)
- Catherine Fargher and Terumi Narushima
Evolution, Mutation and Hybridity: The Influence of Biotechnology Practices on the Development of Chromosome Knitting - Barry Hill
Hey, are you Listening to or Watching the Music? Interplay and Improvisation Amongst Live Electronica Musicians - Matthew Hill
“See Hear Now”: Reflections on a Multi- Arts Performance Festival - Somaya Langley
Sonic Gesturing: Utilising a Wearable Interface in Live Electroacoustic Performance - Tristan Louth-Robins
Sounds from Level Four - Pierre Proske
Synchronised Swamp: Uncanny Expressive Mathematics - Michael Yuen
Project 3, Adelaide Festival of the Arts 2006
Workshops (in alphabetical order)
- Ross Bencina
AudioMulch: Advanced Workshop - Angelo Fraietta
Electronic Sensor Building: An Introduction - Nick Collins, Fredrik Olofsson
SuperCollider: Third Party Libraries and Customising - Robert Wolf
HERCs: Introduction to Algorithmic Synthesis