ACMC 2010

ENGAGEMENT

24–26 June 2010
The Australian National University
Canberra, Australia

Roger Alsop
Action A/V: An Improvisatory Process For Translating Movement To An Audiovisual Outcome
Toby Gifford, Andrew R. Brown
Anticipatory Timing In Algorithmic Rhythm Generation
Cat Hope, Stuart James, Kynan Tan
When Lines Become Bits: Engaging Digital Technology To Perform Works By Alvin Lucier
Sarah Keith
Bridging The Gap: Thoughts On Computer Music And Contemporary (Popular) Electronic Music
Timothy Opie, Andrew R. Brown
Aesthetic Implications Of The Eco-Structuralist Process
Malcolm Riddoch
Experimental Electroacoustic Feedback Systems, The Performer And Their Audience
Michael Spicer
Composing “In Transit”
Lindsay Vickery
Mobile Scores And Click-Tracks: Teaching Old Dogs
David Worrall
Towards The Better Perception Of Sonic Data Mappings

Stephen Barrass, Nina Schaffert, Tim Barrass
Probing Preferences Between Six Designs Of Interactive Sonifications For Recreational Sports, Health And Fitness
Lea Collins, Mary Hutchison
Discussion Of A Practice-Led Collaboration Between A Writer/Curator And Composer/Sound Artist
John Gibson
Wind Farm, A Composition For Laptop Orchestra
Charles Martin, Hanna Cormick, Benjamin Forster
Audience Interactive Performance In “The Last Man To Die”
Stephen Stanfield
A Cancelled Glow: An Interpretive Guide