ENGAGEMENT
24–26 June 2010
The Australian National University
Canberra, Australia
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Keynote
- Roger B. Dannenberg
Interaction In The World Of Beats
Refereed Papers
- Roger Alsop
Action A/V: An Improvisatory Process For Translating Movement To An Audiovisual Outcome - Toby Gifford, Andrew R. Brown
Anticipatory Timing In Algorithmic Rhythm Generation - Cat Hope, Stuart James, Kynan Tan
When Lines Become Bits: Engaging Digital Technology To Perform Works By Alvin Lucier - Sarah Keith
Bridging The Gap: Thoughts On Computer Music And Contemporary (Popular) Electronic Music - Timothy Opie, Andrew R. Brown
Aesthetic Implications Of The Eco-Structuralist Process - Malcolm Riddoch
Experimental Electroacoustic Feedback Systems, The Performer And Their Audience - Michael Spicer
Composing “In Transit” - Lindsay Vickery
Mobile Scores And Click-Tracks: Teaching Old Dogs - David Worrall
Towards The Better Perception Of Sonic Data Mappings
Artist Talks
- Stephen Barrass, Nina Schaffert, Tim Barrass
Probing Preferences Between Six Designs Of Interactive Sonifications For Recreational Sports, Health And Fitness - Lea Collins, Mary Hutchison
Discussion Of A Practice-Led Collaboration Between A Writer/Curator And Composer/Sound Artist - John Gibson
Wind Farm, A Composition For Laptop Orchestra - Charles Martin, Hanna Cormick, Benjamin Forster
Audience Interactive Performance In “The Last Man To Die” - Stephen Stanfield
A Cancelled Glow: An Interpretive Guide