ACMC 2011

Organic Sounds in Live Electroacoustic Music

6-9 July, 2011
School of Music, University of Auckland
Auckland, New Zealand

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Benjamin Carey
Derivations: An Autonomous System for Responsive Live Music Improvisation
Damian Castaldi
Wild Weather
Jason Erskine
E-Suling: Extended Techniques for Indonesian Performance
James Herrington
Musical Parameter Manipulation Possibilities of a Homemade reacTable
Cat Hope
The Composer and the Machine: Organic Collaborative Processes in Composition and Programming Leading to Performance.
Stuart James
Multidimensional Data Sets: Traversing Sound Synthesis, Sound Sculpture, and Scored Composition
Sarah Keith
An Organic System For Tonal Composition
Robert MacKay
Living Waves
Dugal McKinnon
Awkward Ecologies in the 21st Century Baroque
James Murphy
The Gallery as an Instrument: Using Remote Sensing Technology to Interface with Musical Robotics
Michael Norris
Integration/Disintegration: The Case For (and a Critique of) Organicism in Live Electronics
Tim Opie
Eco-Structuralism in Practice
Malcolm Riddoch
Organicism in Live Experimental Electroacoustic Music
Te Mana Rollo
Electro-Acoustic Can Enhance Maori Music: A Model for Composing
Owen Vallis & Jordan Hochenbaum
The Chronome: A Case Study in Designing New Continuously Expressive Musical Instruments
Lindsay Vickery
The Possibilities Of Novel Formal Structures Through Computer Controlled Live Performance
Robert Wolf
Problems of Implementing Musical Counterpoint Generation Systems Through the Prolog Computer Language
Jason Wright
Re-Assessment of Electroacoustic Chain

Christopher Black
Re-Contextualising the Human Body as an Electronic Performance Interface
Jasmine Chen
Heritage as the Composer Authenticity: A Poietic Approach Towards Sounds with Heritage-Related Quality in Electroacoustic Music Composition
John Cousins
“Witness”
Gerardo Dirie
Surrogates of Self: Exteriorising Organic Behaviour in Sound
Ricardo Dal Farra
Culture vs. Nature?
Susan Frykberg
Spiritual/Religious and Sacred Electroacoustic Music – A Survey, 2011
Jose Halac
Syncretism: Organic Flow of Articulated Morphologies
Dugal McKinnon
The Future Archeology of Popular Music: Media, Aura, Vanitas
Jason Philips
Artist’s Presentation
Elizabeth de Vegt
Electroacoustic Music, Organic Sounds and Networks.