Organic Sounds in Live Electroacoustic Music
6-9 July, 2011
School of Music, University of Auckland
Auckland, New Zealand
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Keynotes
- Simon Emmerson
‘Living In A Performing World – Performing In A Living World’ - Ian Whalley
Negotiating N.Z. Sonic Arts In Real-Time & Netspace
Papers (in alphabetical order)
- Benjamin Carey
Derivations: An Autonomous System for Responsive Live Music Improvisation - Damian Castaldi
Wild Weather - Jason Erskine
E-Suling: Extended Techniques for Indonesian Performance - James Herrington
Musical Parameter Manipulation Possibilities of a Homemade reacTable - Cat Hope
The Composer and the Machine: Organic Collaborative Processes in Composition and Programming Leading to Performance. - Stuart James
Multidimensional Data Sets: Traversing Sound Synthesis, Sound Sculpture, and Scored Composition - Sarah Keith
An Organic System For Tonal Composition - Robert MacKay
Living Waves - Dugal McKinnon
Awkward Ecologies in the 21st Century Baroque - James Murphy
The Gallery as an Instrument: Using Remote Sensing Technology to Interface with Musical Robotics - Michael Norris
Integration/Disintegration: The Case For (and a Critique of) Organicism in Live Electronics - Tim Opie
Eco-Structuralism in Practice - Malcolm Riddoch
Organicism in Live Experimental Electroacoustic Music - Te Mana Rollo
Electro-Acoustic Can Enhance Maori Music: A Model for Composing - Owen Vallis & Jordan Hochenbaum
The Chronome: A Case Study in Designing New Continuously Expressive Musical Instruments - Lindsay Vickery
The Possibilities Of Novel Formal Structures Through Computer Controlled Live Performance - Robert Wolf
Problems of Implementing Musical Counterpoint Generation Systems Through the Prolog Computer Language - Jason Wright
Re-Assessment of Electroacoustic Chain
Artist Talks
- Christopher Black
Re-Contextualising the Human Body as an Electronic Performance Interface - Jasmine Chen
Heritage as the Composer Authenticity: A Poietic Approach Towards Sounds with Heritage-Related Quality in Electroacoustic Music Composition - John Cousins
“Witness” - Gerardo Dirie
Surrogates of Self: Exteriorising Organic Behaviour in Sound - Ricardo Dal Farra
Culture vs. Nature? - Susan Frykberg
Spiritual/Religious and Sacred Electroacoustic Music – A Survey, 2011 - Jose Halac
Syncretism: Organic Flow of Articulated Morphologies - Dugal McKinnon
The Future Archeology of Popular Music: Media, Aura, Vanitas - Jason Philips
Artist’s Presentation - Elizabeth de Vegt
Electroacoustic Music, Organic Sounds and Networks.
Workshops
- John Coulter, David Rylands
Multichannel Workshop - Nolwenn Hugain-Lacire
NOP Workshop - Jason Phillips
Taonga Puoro Workshop