ACMC 2000
InterFACES
Brisbane, Australia 2000
Full Papers
- Roger Alsop Teaching Electro-Acoustic (EA) Composition to the Uninitiated†1
- Andrew Brown Modes of Compositional Engagement
- Warren Burt - BRISBANE NOCTURNE - An algorithmic composition using SoftStep
- Steven Dillon Making Computer Music Meaningful In Schools
- Simon Dixon On the Computer Recognition of Solo Piano Music
- Alan Dorin Boolean Networks for the Generation of Rhythmic Structure
- Ian Kaminskyj Multi-feature Musical Instrument Sound Classifier
- Theodore Lotis The Byzantine Dome: The Sound Dome and Wassily Kandinsky
- Greg Schiemer Boolean logic as a harmonic filter
- Andrew Sorensen and Andrew Brown Introducing jMusic
- Ian Stevenson Diffusion: Realisation, Analysis and Evaluation
- Michael Towsey, Andrew Brown, Susan Wright, and Joachim Diederich Towards Melodic Extension Using Genetic Algorithms
- Ian Whalley Tales, tellers, and taking part: The computer music/audience dialectic
Abstracts
- Andy Arthurs Brisbane Powerhouse Opening
- Densil Cabrera Environmental Infrasound Recordings
- David Hirst LaTrobe CD Archive
- Peter McIlwain An Approach to Spatiotemporial Music
- Alastair Riddell Programmable Composition
- Kenny Sabir Distributed Audio Sequencer
- Gavin Sade Interactive interface design: Tools and processes to enable the development of alternate input devices
- Greg Schiemer A Survey to the Theory and Practice of Just Intonation
- Andrew Troedson An Examination of Selected Algorithmic Compositional Processes
- Richard Vella Musical Environments
- David Worrall Composition as revelation
Workshop
- Ian Stevenson AudioBox & ABControl: A platform for diffusion design and realisation