ACMC 2010

ENGAGEMENT

24–26 June 2010 The Australian National University Canberra, Australia

Roger Alsop Action A/V: An Improvisatory Process For Translating Movement To An Audiovisual Outcome
Toby Gifford, Andrew R. Brown Anticipatory Timing In Algorithmic Rhythm Generation
Cat Hope, Stuart James, Kynan Tan When Lines Become Bits: Engaging Digital Technology To Perform Works By Alvin Lucier
Sarah Keith Bridging The Gap: Thoughts On Computer Music And Contemporary (Popular) Electronic Music
Timothy Opie, Andrew R. Brown Aesthetic Implications Of The Eco-Structuralist Process
Malcolm Riddoch Experimental Electroacoustic Feedback Systems, The Performer And Their Audience
Michael Spicer Composing “In Transit”
Lindsay Vickery Mobile Scores And Click-Tracks: Teaching Old Dogs
David Worrall Towards The Better Perception Of Sonic Data Mappings

Stephen Barrass, Nina Schaffert, Tim Barrass Probing Preferences Between Six Designs Of Interactive Sonifications For Recreational Sports, Health And Fitness
Lea Collins, Mary Hutchison Discussion Of A Practice-Led Collaboration Between A Writer/Curator And Composer/Sound Artist
John Gibson Wind Farm, A Composition For Laptop Orchestra
Charles Martin, Hanna Cormick, Benjamin Forster Audience Interactive Performance In “The Last Man To Die”
Stephen Stanfield A Cancelled Glow: An Interpretive Guide